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Came across a really nice site today that I've not seen before. Some fantastic pieces up in a gallery. I especially liked this stuff, and the style/colour.
Anyway, here's the link...
http://www.ekosystem.org/forum/viewtopic.php?f=14&t=6096
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Step forward Kruder & Dorfmeister, Austrian uber-producers and the ice cool duo behind G-Stone recordings. The label's trademark bass-heavy but lush tunes are as likely to be played as background to a hip dinner party than at an underground club. And judging by the largely 30-something crowd politely exchanging small talk before the lights dimmed at the Roundhouse, dessert rather than dancing appears to be a more pressing concern to some.
But, as soon as the first dull throb of bass punches through the darkness and MC Earl Zinger bowls on to the stage, the venue is transformed into the coolest of clubs.
K&D take centre stage amid a constantly morphing, at times retina-scarring light show, that puts just about every other electronica act to shame. The breathtaking visuals provide the perfect psychedelic backdrop to a set that effortlessly blends the best of the pair's past, present and future tunes.
Kicking off with a version of Grandmaster Flash's "The Message" before taking in highlights from the classic K&D Sessions album – including superb remixes of Bomb the Bass's "Bug Powder Dust" and Depeche Mode's "Useless" – the duo effortlessly engage the crowd.
Throw in a tongue-in-cheek encore of "Let it Be" – with the lyrics changed to "speaking words of wisdom – K&D", and you can't help but leave the gig with a smile on your face and a spring in your step."
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Alexandre Orion - Skulls in Sao Paolo
click on image to enlarge
Hailing from Brazil, Alexandre sees his art work as a way of getting an environmental message across to those who ordinarily wouldn’t listen. A few years ago he adorned a transport tunnel in Sao Paolo with a mural consisting of a series of skulls to remind drivers of the detrimental impact their emissions have on the planet.
The Brazilian authorities were incensed but couldn’t actually charge him with anything so they instead cleaned the tunnel. At first the cleaned only the parts Alexandre had cleared but after the artist switched to the opposite wall they had to clean that too. In the end, the authorities decided to wash every tunnel in the city, missing the irony completely, it seems.